Terminal applications have a “cursor” that they can move around, just like a text editor. You can tell that cursor “go to line 3, delete everything, then print out this new text” by using VT100 sequences. And you can use it to replace existing characters with new ones, without re-emitting a whole line.
V3 also added adaptive speed control. Rather than blindly holding at 16x, the script monitors the audio element’s buffered time ranges to assess buffer health. If the buffer ahead of the playback position is shrinking (meaning the network can’t keep up with the decode speed), the playback rate is reduced to give the fetcher time to catch up. If the buffer is healthy and growing, the rate is nudged back up. This prevents the browser from stalling entirely on slow connections, which would previously break the ended event trigger and leave you waiting forever.
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Like the Evo, the Shot 3 Retro features an LCD screen — albeit a much smaller one — that lets you decide whether to print a shot. It also supports Bluetooth, and you can use the Kodak Photo Printer app to upload photos to social media or print decent, relatively crisp images from your phone. Unlike the Evo, however, the Shot 3 Retro retails for around $170 and includes a pack of film. It also uses cheaper film; you can often pick up a 60-sheet cartridge for under $20. The cheaper arguably encourages creative experimentation, even if the large 3 x 3-inch square prints feel lower in quality and more flimsy than those from both Fujifilm and Polaroid.
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